RollingOut.com
Sunday, October 05, 2008
A+E, Theater, Reviews

portia cue - wearing the pants

Leading Actress, The Little Prince

Theatrical cross-dressing dates back as early as the 17th century, when
women, who were required to be chaste by Christian standards, were banned
from performing onstage. Men willingly played both roles. In the current
liberated age, gender impersonation is simply comic relief. Contemporary
examples of the art form include Flip Wilson (“The Flip Wilson Show”),
Martin Lawrence (Big Momma’s House), Wesley Snipes (To Wong Foo),
Eddie Murphy (The Klumps) and Tyler Perry (the Madea franchise).

Baton Rouge, La., native Portia Cue is taking some bold steps in a similar
direction. She’s flouting racial and gender stereotypes by not only playing the
role of a man, but by playing the role of a white man as the lead in The Little
Prince, which is now playing at 7 Stages Theatre.

“The profundity lies in the fact that I used to watch The Little Prince when I
was 7 years old. It’s really cool because I’m playing something that I used to
love as a child,” she shares, dismissing the fact that her casting may be
difficult for longtime fans of the 1971 novella to comprehend.

Cue brings a sense of magic to the stage. “It’s interesting for an adult to be
playing a child. That way you can bring your wisdom, but also play [on] the
innocence of a child,” she says. –yvette caslin
Creative Loafing, June, 2009

Atlanta is bursting at the seams with stunning
retro-style burlesque acts and Big City is no
exception. The ladies of this troupe put on
another packed show at 7 Stages on June 28.

(Photo (right) by Jeff Riley)
Sunday, October 05, 2008
A+E, Theater, Reviews
Magic ‘Prince’

Say hello to 7 Stages’ little friend
By Bert Osborne

Artistic director Del Hamilton’s production is frequently hypnotic
nonetheless (with a nod to Jessica Coale’s lighting design). Of course, 7
Stages will be 7 Stages. The notion of casting black actress Portia Cue as
the Little Prince initially feels like an indulgence or concession—another
example of how the company relishes being different, sometimes just
for the sake of being different. But Cue is so magical in the role that you’
re left instead questioning why the theater didn’t go all the way with it
(the program and posters still depict the character as a white kid).

There ought to be a greater sense of wonderment to John Benzinger’s
portrayal of the pilot. Had he seen as many weird 7 Stages shows as the
rest of us, he’d know how truly special "The Little Prince" really is. SP
Photo by steed media service
Photo by Abby Gaskins